New The Gallows movie got mostly negative reviews from top critics. Warner Bros. Pictures released their new horror/thriller flick, “The Gallows,” into theaters today, July 10th, 2015, and all the reviews are in from the top critics. It turns out that most of them really didn’t like it with just an overall 31 score out of a possible 100 score across 20 reviews at metacritic.com.

The movie stars: Cassidy Gifford, David Herrera, Melissa Bratton, Pfeifer Brown, Price T. Morgan, Reese Mishler, Ryan Shoos, Theo Burkhardt and Travis Cluff. We’ve added blurbs from a few critics,below.

Richard Roeper at the Chicago Sun-Times, gave it a decent 75 score, saying: ” This is the kind of movie where you can anticipate the next big shock and it usually arrives right on cue, and yet it still gets you right in the gut.”

Peter Keough from the Boston Globe, gave it a 63 score. He said: “Occasionally the camera gets jumbled around, blacks out, and hisses with static as if it had been tossed in a dryer. Then it regains composure and reveals — an old playbill! A figure in a mask with a noose! The birth of a new franchise and the death of a great genre.”

Michael Phillips over at the Chicago Tribune, gave it a 63 grade. He stated: “Lofing and Cluff certainly know the found-footage ropes, and the tropes; we’ll see if their next project reveals a little more imagination.”

Gary Goldstein from the Los Angeles Times, gave it a 60 score, stating: “Plot holes aside, the filmmakers provide enough well-timed jumps and energetic moments to keep the highly contained picture afloat.”

Mick LaSalle from the San Francisco Chronicle, gave it a 50 score, saying: “A movie that has two good ideas. It needed three.”

Kyle Anderson from Entertainment Weekly, gave it a 50 score. He said: “This is another found-footage movie that, with a little art direction and some actual cinematography, could easily have been a decent little terrorizer. Instead, it comes mostly unglued thanks to its hacky gimmick.”

Neil Genzlinger over at The New York Times, gave it a 40 score, saying: “The horror movie The Gallows starts with a decent if improbable premise, and it ends with a pretty good jolt. But in between, the film sure wears out the already tired found-footage device.”

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