the gift movie poster image

New The Gift Movie got mostly positive reviews from top critics. STX Entertainment released their new horror/thriller flick, “The Gift,” into theaters today, August 7th, 2015, and all the reviews are in from the top movie critics. It turns out that most of them liked it a lot with an overall 78 score out of a possible 100 score at Metacritic.com.

The movie stars: Jason Bateman, Joel Edgerton and Rebecca Hall. We’ve added blurbs from a few of the critics,below.

Kevin P. Sullivan at Entertainment Weekly, gave it a great 91 score, saying: “The real joy of The Gift is getting to that twisted goodness, because more than anything, Edgerton’s script and direction demonstrate a keen understanding of tension and what puts an audience on edge.”

Gary Goldstein at the Los Angeles Times, gave it a 90 grade. He said: “Although the film builds an effective sense of dread and contains its share of unnerving visuals and well-timed scares, it proves far more psychological thrill ride than shockfest.”

Joe Morgenstern from the Wall Street Journal, gave it a 90 score, stating: “You may know Mr. Edgerton as the actor who played the cocksure SEAL squadron commander in “Zero Dark Thirty,” and Tom Buchanan in “The Great Gatsby.” Who knew, though, that his debut feature would be so stylishly crafted, intricately psychological and genuinely thrilling?”

Stephen Holden from The New York Times, gave it a 90 score as well. He said: ” Underneath it all, The Gift is a merciless critique of an amoral corporate culture in which the ends justify the means, and lying and cheating are O.K., as long as they’re not found out.”

James Rocchi over at TheWrap, gave it a 90 score. He said: “Nothing here feels cheap or hasty, which is why the horror, when it comes, is all the more chilling and grim. Slick, sharp and legitimately terrifying, The Gift is a truly brilliant thriller — and, one hopes, the first of many features from Edgerton to come.”

Jon Frosch over at The Hollywood Reporter, gave it an 80 grade, saying: “Taken on its own undemanding terms and considered within its not very original framework, Joel Edgerton’s feature-length directorial debut is a pleasant — or pleasantly unpleasant — surprise, hitting its genre marks in brisk, unfussy fashion and raising a few hairs on the back of your neck along the way.”

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